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Downstage Center
Go in-depth with the leading artists and professionals working on stage today when you go "Downstage Center." Downstage Center, a collaboration of the American Theatre Wing and XM Satellite Radio, is a weekly theatrical interview program that spotlights the creative talents on Broadway, Off-Broadway, across the country and around the world, with in-depth conversations that simply can"t be found anywhere else.
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Now in its fourth year, Downstage Center has been featured by the Associated Press and Slate.com as the place to go for theatrical talk.

Downstage Center is heard weekly on XM Satellite Radio's Channel 28, On Broadway, with new programs debuting Fridays at 6 pm, followed by encores on Saturday at 12 noon, Sunday at 7 and Wednesday at midnight (all times eastern).

Following their initial run on XM, you can listen to the programs here in Real Media streaming audio format, download the mp3 files or you can subscribe to our podcast feed. Please note that due to copyright restrictions, any pre-recorded music that was used in the interview has been deleted from all audio files.


Frances Sternhagen
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Tony Award winning Actress.
Original air date - January 18, 2008
Running Time - 58:47.

Bio of Frances Sternhagen

Two-time Tony-winner Frances Sternhagen surveys her six-decade career in the theatre, ranging from her decision to stop teaching "dramatics" to schoolchildren to her most recent Broadway appearance in Edward Albee's Seascape. In between she talks about her time in such illustrious theatre companies as Washington DC's Arena Stage and New York's APA; her Broadway debut in a revival of The Skin Of Our Teeth with Mary Martin, Helen Hayes and George Abbott; the wonderful experience of performing Chekhov by way of Neil Simon in The Good Doctor; her efforts to be cast in the U.S. production of Equus based solely on having read a review of the play's London debut; why she thinks Terrence McNally's A Perfect Ganesh is due for a revival; how she came to create the role of Ethel Thayer in On Golden Pond while she was still in her 40s; and why she works so steadily, at theatres large and small, after all these years.


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