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Go in-depth with the leading artists and professionals working on stage today when you go "Downstage Center." Downstage Center, a collaboration of the American Theatre Wing and XM Satellite Radio, is a weekly theatrical interview program that spotlights the creative talents on Broadway, Off-Broadway, across the country and around the world, with in-depth conversations that simply can"t be found anywhere else. Read More
Now in its fourth year, Downstage Center has been featured by the Associated Press and Slate.com as the place to go for theatrical talk.
Downstage Center is heard weekly on XM Satellite Radio's Channel 28, On Broadway, with new programs debuting Fridays at 6 pm, followed by encores on Saturday at 12 noon, Sunday at 7 and Wednesday at midnight (all times eastern).
Following their initial run on XM, you can listen to the programs here in Real Media streaming audio format, download the mp3 files or you can subscribe to our podcast feed.
Please note that due to copyright restrictions, any pre-recorded music that was used in the interview has been deleted from all audio files.
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Edward Albee |
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Award-winning American Playwright.
Original air date - February 8, 2008
Running Time - 58:17.
Bio of Edward Albee
Multiple Tony Award and Pulitzer Prize-winner Edward Albee talks about the "inadvertent festival" of his works in the New York area, explaining why he declined to allow any synopsis of Me, Myself and I for its production at Princeton's McCarter Theatre, whether The American Dream and The Sandbox at New York's Cherry Lane Theater will look any different than in their original productions, and why we won't see productions of The Zoo Story without its new first act, Home Life. In a wide ranging conversation, he touches upon his approach to playwriting, what he looks for in students seeking to study playwriting with him, the effect of the fame that he achieved from Who's Afraid of Virginia Woolf?, the experience of being critically out of favor during the 80s and early 90s, the two-decade disparity in ages between the actors who played the leads in the original Seascape and those who took on those roles in the Broadway revival, why we have seen so few films based upon his plays, how he chooses when to direct one of his plays himself, and the unique quality that his two long-time producers share.
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